This volume brings together material from the cult queer cinema journal 'Little Joe', published between 2010 and 2021. Described by Gayletter as 'The best damn film magazine in the whole wide world', 'Little Joe' is a unique forum for the discussion of film around subjects of sexuality and gender within a queer historical context. The publication's rebellious perspective challenges our preconceived notions of film history and proposes a queer canon of cinema, frequently from the margins of taste and style. The hard-to-find, limited-edition publication is stubbornly print-only, privileging the word-of-mouth and hand-to-hand method through which many of the films it celebrated would have primarily circulated.
