Cane, Corn & Gully

Cane, Corn & Gulley' is a genealogical and autobiographical collection which unites dance and poetry to observe, question and ruminate on what it means to adopt, perform, and pass down the notion of black West Indian femininity. Using labanotation and rhythm to analyse movement from Caribbean dances to movements carried out in everyday rituals, Kinshasa uses these motifs as a form of cartography for the poems.